More money than sense

So… I just paid $50 for a compact disc. It’s a rare one, but good grief.

My journey toward this purchase began a long time ago when I first heard the delightful “One Of Us” by Joan Osborne. The album version begins with an a cappella version of a southern-sounding gospel song titled “The Aeroplane Ride.” It is at once whimsical and slightly disturbing.

I didn’t think much more about it until recently when I began adding some of my CD collection to Google Music in order to stream songs from my phone in the car and at work. “One Of Us” was a natural selection for my “Awesome Songs” playlist, and I was again immediately drawn to the catchy intro. My curiosity about the lyrics and the singer drove me to look online, where I quickly discovered the sample Joan Osborne used was from an original recording by Nell Hampton in 1937. It also turns out the song originated in the Holiness movement, and was recorded in Salyersville, Kentucky. Is it any wonder I am so taken by it?

Disappointment set in when I read that the album Hampton’s version appeared on, ”The Gospel Ship: Baptist Hymns & White Spirituals from the Southern Mountains,” is no longer available from New World Records. Not being one to give up easily when it comes to music, I tracked down a few used copies of the CD on Amazon, and a vinyl copy on Etsy. The prices on Amazon were staggering, ranging from $50 to well over $200. Etsy was far more reasonable at a mere $5, but I have no way of getting the songs from a record to my computer, and I figured by the time I purchased a record player and software to convert it to a digital format, I would be out well over $50. The lowest priced CD on Amazon was looking more and more like my best option, so I bought it.

It better be awesome.

Mr. Tambourine Man

From a very young age, my sister could play almost any kind of instrument my parents threw at her. She began playing the piano by ear when she was barely able to reach the foot pedals. She quickly picked up the accordion, drums, and various other instruments without any professional training whatsoever. I, on the other hand, could only play the tambourine.

Music was a huge part of worship in our Pentecostal church. Almost any member of the congregation who could play an instrument was happy to get on stage and share their talent. Voices, instruments, and clapping hands united to bring the congregation to the brink of frenzy on many occasions.

I was probably around 8 or 9 years old when I first picked up the tambourine. I had been admiring the talent of an older girl as she provided some much-needed percussion to the church’s soundtrack. Carla didn’t just bang the tambourine against her wrist, she played softly on the verses before revving things up at the beginning of the chorus with some fancy hand and wrist gestures. Since our services were more spontaneous than planned, she could use that wooden circle of cymbals to keep a song going just by playing the fancy part again at the end of the chorus. The congregation would obediently continue singing.

When I first began playing, I lacked the most important element of being a good tambourine player… timing. I remember sitting near an elderly woman with glorious white hair piled on top of her head. As I would feebly attempt to imitate Carla, I would frequently get out of rhythm. The elderly woman would smile and shake her head in my direction to let me know I needed to get back on track. It didn’t take long until I had learned enough from my mistakes to be as good a player as Carla.

As my playing improved, the pianist began to rely on my tambourine. She would nod at me when she felt a song needed a little something extra to get the churchgoers in a more worshipful spirit. I would pull out my tambourine and start banging my wrist until it hurt. As I watched those around me become enraptured in the moment, I was happy to have played some small part.

Playing the tambourine was mostly done by women in the church, so one night after service I was ridiculed by a younger boy who told me “only girls play tambourines.” I don’t like that guy to this very day. I get more than a little satisfaction when I see a male performer (like the lead singer of Young the Giant) playing the tambourine on stage.

It has been several years since I last picked up a tambourine. I haven’t been to a Pentecostal church in many years, and the church I now attend has a much different idea of what constitutes music than the church I grew up in. It doesn’t keep me from missing it though. Anytime I see Stevie Nicks on television, twirling in a cape, her tambourine adorned with streamers, I am reminded of the scenes from my childhood. Whether in a secular or religious setting, music has a universal way of charming those in its presence and transporting them to another dimension.

Is it any wonder I recently added a tambourine to my Amazon wish list?

The ultimate Halloween music playlist

I decided to come up with a playlist of spooky songs to enjoy during Halloween. While some of these may not be familiar to the masses, they each play on the fun-filled aspects of the holiday.

  1. Bobbie Boris Pickett – Monster Mash
  2. Ray Parker Jr – Ghostbusters
  3. The Cranberries – Zombie
  4. Rockwell – Somebody’s Watching Me
  5. Michael Jackson – Thriller
  6. Sheb Wooley – Flying Purple People Eater
  7. Blondie – One Way or Another
  8. Nina Simone – I Put A Spell On You
  9. Warren Zevon – Werewolves of London
  10. Eagles – Witchy Woman
  11. Michael Jackson – Ghosts
  12. Stevie Wonder – Superstition
  13. Victor Mizzy – The Addams Family
  14. Steve Miller Band – Abracadabra
  15. Joan Osbourne – Spooky
  16. Bow Wow Wow – I Want Candy
  17. ‘The Rocky Horror Picture Show’ – The Time Warp
  18. ‘The Exorcist’ Tubular Bells
  19. ‘Halloween’  Movie Theme
  20. Cher & Rod Stewart – Bewitched Bothered & Bewildered
  21. Tori Amos – Happy Phantom
  22. Michael Jackson – Is It Scary
  23. Fleetwood Mac – My Little Demon
  24. Stevie Nicks – Sorcerer
  25. Dolly Parton – These Old Bones

What songs do you enjoy listening to while celebrating Halloween?

Janis Ian: Married in London

Married in London
by Janis Ian

We’re married in London
But not in New York
Spain says we’re kosher
The states say we’re pork

We wed in Toronto
The judge said “Amen”
And when we got home
we were single again

It’s hard being married
And living in sin
Sometimes I forget just
Which state I am in

Thank God I’m not Catholic
I’d be a mess
Trying to figure out
What to confess

My passport in Sweden
Says I’ve got a wife
Amsterdam tells me
I’m partnered for life

But back in America
Land of the free
I’m a threat to the
National security

If I were a frog
Here’s what I would say
It’s hard being green
It’s hard being gay

But love has no colors
And hearts have no sex
So love where you can
And f*ck all the rest.

Shelter

This now ranks as one of my favorite LGBT films. There are plenty of parts of the movie that aren’t perfect, but what is perfect are the feelings expressed between the two main characters as they fall in love. The desire and desperation are downright palpable. It also doesn’t hurt that the soundtrack is so full of great music – like the luscious “Lie To Me” by Shane Mack.

Radio remix version of Gotye ‘Somebody That I Used To Know’

I thought this might help someone. I heard Gotye’s “Somebody That I Used To Know” on the radio last week for the first time. I immediately tried to buy it on Google Music and Amazon, but both sites only had the album version available. After spending two days searching YouTube and various other sites, I finally found the radio edit. This version is actually a remix by DJ Mike D, and has a more upbeat, 80′s feeling to it.

And a video version that is slightly different: